Referred to as the “second plate” because as Rembrandt scholar Christopher White states, “it was, however, on this plate that he met his one and only technical disaster in a medium in which he was to become supreme master.” On Rembrandt’s first attempt the acid failed to properly bite the plate. After attempting to rework the plate it was eventually discarded. On his second attempt Rembrandt created what may be his greatest etching.
The large image (52.7 cm x 40.8 cm) depicts wealthy Joseph of Arimathea overseeing the removal of Christ’s lifeless body from the cross while onlookers observe in awe. In this print the master illustrates one of the most powerful moments of the Bible with tremendous emotion. Rembrandt uses an amazing contrast of light and dark to illustrate heavenly beams shining upon Jesus, thus create a moving image.
Created in 1633 the plate was signed and dated on the bottom, center below the print.